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‘How I Learned To Drive’ Broadway Review: Mary-Louise Parker & David Morse Revisit Roles After 25 Years

A review of How I Learned to Drive by Greg Evans | April 19, 2022

In the 25 years since Mary-Louise Parker and David Morse first performed Paula Vogel’s Pulitzer Prize-winning play How I Learned To Drive, the name for the disturbing process that we witness being depicted on stage has long since entered widespread usage. If audiences can now readily label what happens as “grooming,” Vogel’s emotionally complex masterwork remains as unsettling, disarmingly funny and as deeply moving as ever.

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‘How I Learned To Drive’ is a Nuanced Exploration of Memory

Christian Lewis | April 19, 2022

As the adage goes, “More Vogel, less Mamet.” Right now on Broadway, this is just beginning to come true, or at least approaching it. Although we have to suffer through both David Mamet’s problematic and dangerous rant about male teachers being pedophiles and a lackluster revival of American Buffalo, we also are graced–thank God–with a […]

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In ‘American Buffalo’ Nostalgia Gets in the Way of Progress

Ran Xia | April 14, 2022

Somewhere in America older men impart wisdom to the younger between puffs of smoke and swigs of Coke. Somewhere in America, life is a powder keg with a short fuse, and morality is but an afterthought, as is breakfast. Somewhere in America, everything hinges on a coin. At the center of American Buffalo, David Mamet’s […]

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