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‘West Side Story’ Broadway review: Radical revival is a triumph

A review of West Side Story by Johnny Oleksinski | February 20, 2020

It feels pretty . . . different.

A galvanizing new revival of “West Side Story” opened Thursday night on Broadway, minus some familiar sights and sounds. Jerome Robbins’ legendary choreography has been Jet-tisoned along with the “Somewhere” ballet, and Maria’s chirpy “I Feel Pretty” was given the ax. There’s no longer an intermission, with the musical now running a breakneck one hour and 45 minutes.

Instead, in Belgian director Ivo van Hove’s finger-snapping-free staging, there’s a gigantic video wall behind a mostly spare stage, modern clothes and a ferocity not seen since the musical’s 1957 premiere, when The Post’s Richard Watts Jr. called it the story of “the ugliness and horror of a war to the death between the boys.” With that in mind, van Hove’s visceral take is spot-on for 2020. As long as kids are still being born into a “lousy” world, “West Side Story” shouldn’t be a trip down memory lane — it should be raw and real.