Photo from the show Pink border doodle

Katori Hall’s Catholic spectacular lights up Signature Theatre

A review of Our Lady of Kibeho by Zachary Stewart | November 17, 2014

Doubting Thomases will have to work extra hard to unpack and explain away the events of Our Lady of Kibeho, a world premiere play by Katori Hall (Hurt Village) at Signature Theatre. The author doesn’t do any of the heavy lifting for you…and that’s a good thing. Hall’s brilliant play, a simultaneously straightforward yet clear-eyed presentation of a recent bit of Catholic mysticism, leaves you grasping for answers and straining for connections days after the final blackout. The play is based on the true story of three Rwandan girls who, in 1982, claimed to see and speak with the Virgin Mary. These “Marian apparitions” have since received Vatican approval. Many view them as a prescient warning about the 1994 Rwandan genocide that resulted in the murder of nearly 1,000,000 people. Scenic designer Rachel Hauck uses the full breadth of the stage to lavishly create the Catholic girls school where the apparitions take place, a cluster of little stucco houses with bright blue doors. They unfold like dollhouses as the scenes require.