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Garry Marshall directs ‘Mad Men’ star Vincent Kartheiser in a play about Billy Wilder, Raymond Chandler and ‘Double Indemnity’

A review of Billy & Ray by Joe Dziemianowicz | October 20, 2014

He created Happy Days and helmed hit movies such as Pretty Woman. But heavyweight director Garry Marshall’s soggy staging of the play, Billy & Ray, about the creative process, isn’t pretty — and offers few reasons to be happy. Mike Bencivenga’s fact-based tale unfolds in 1940s Hollywood, where director Billy Wilder (Vincent Kartheiser, of Mad Men), and hard-boiled author Raymond Chandler (Larry Pine) contentiously co-write the screenplay for Double Indemnity, a film noir game-changer. Thanks to a ham-fisted and cliche-packed script that saps authenticity, and clunky staging that works hard for corny laughs, “Billy & Ray feels like a triple eternity. The lead actors have done better work elsewhere. Drew Gehling plays producer Joe Sistrom. Sophie von Haselberg — a dead ringer for her mom, Bette Midler — is perky and efficient in the thankless role of Wilder’s Girl Friday.