Photo from the show Pink border doodle

Nobody does mean-nasty-vicious like Terrence McNally, bless his black heart

A review of It’s Only A Play by Marilyn Stasio | October 9, 2014

The setup for this showbiz comedy is perfect: The producer, playwright, director and star of a new Broadway show, along with friends and foes, are huddled upstairs in the producer’s townhouse, anxiously awaiting the reviews, while a raucous opening-night party rages downstairs. After an initial false step in 1978 (when the show, then called Broadway, Broadway, flopped out of town), the concept clicked in 1982, when the show was retooled and re-launched Off Off Broadway by the Manhattan Punch Line. It worked just as well in 1986, when Manhattan Theater Club picked up the production for its City Center main stage. And since the more things change in this business, the more they stay the same, McNally’s original blueprint still works just fine in helmer Jack O’Brien’s snappy production. O’Brien lets us know right at the top of the show that we’re in for some good times. One big tip is his savvy casting of Micah Stock as Gus P. Head, the clueless innocent who has been hired to collect the guests’ coats, but hopes that one of the famous among them will recognize his hidden theatrical talents. Stock is a natural comic actor, with his lanky frame and hilarious deadpan expression, and he makes an exciting Main Stem debut as this dim yokel. “This town’s gonna eat him alive,” someone predicts.