THE FATAL WEAKNESS May Be Found In The Script

Taking in a performance of George Kelly’s new comedy was a frequent occurrence for theatregoers during the 1920s and 30s, but his 10 Broadway plays (including the Pulitzer-winner, Craig’s Wife) and one musical revue have pretty much faded from the modern repertory Last year the Mint Theater Company, specialists in revisiting the works of once-popular playwrights, mounted his delightful 1931 excursion into bohemian Greenwich Village, Philip Goes Forth. They follow up now with Kelly’s swan song, his 1946 drawing room comedy/drama of infidelity, The Fatal Weakness. That title flaw is the hopeless romanticism of Mrs. Ollie Espenshade (graceful and thoughtful Kristin Griffith), a woman of comfortable means who loves crashing wedding ceremonies for fun, but who is blissfully unaware that her husband (gruffly masculine Cliff Bemis) has fallen out of love and intends to divorce her and remarry.