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November 16, 2016

“When is the play gonna be over?” wails a beleaguered character near the close of the first act of the Theater for a New Audience production of Carlo Goldoni’s 18th-century farce “The Servant of Two Masters,” which opened on Wednesday at the Polonsky Shakespeare Center in Brooklyn. Was he reading my mind? While the production, directed by Christopher Bayes, had some in the audience consistently in stitches, I found it laborious, arch, stuffed to the point of stultifying with contemporary jokes, and only fitfully amusing. Actually, fitfully is being generous.

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