THE ROCKY HORROR SHOW Is a Burst of Vibrant Queer Joy
The halls of Studio 54 should be proud with the glittery whirlwind happening on stage eight times a week. It’s Sam Pinkleton to a tee, and boy is it fun. It’s a type of revival that will please the fans and welcome newcomers to the world justly. We are fortunate to have so much queer joy on our stages here in New York right now and The Rocky Horror Show add to that collection perfectly. Head over to the lab, and keep dreaming.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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