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Jesse
Green

September 10, 2017

Only one of the title characters in “The Rape of the Sabine Women, by Grace B. Matthias” — a new play by Michael Yates Crowley — is a living human. She is Grace, a teenager in a generic Springfield where the football team reigns and “weird” girls get called pigs with impunity.

But the ancient Sabines have equal billing. Memorialized in myth and in the painting “The Intervention of the Sabine Women” by Jacques-Louis David, they are here to remind us, through the story of their abduction by Roman warriors and their peacemaking during the ensuing war, of the long and almost foundational role of rape throughout history.

If Mr. Crowley has set out to write nothing less than a treatise on rape culture, now and forever, he wants his play, which opened on Sunday in a Playwrights Realm production at the Duke Theater, to be so much more. A serious effort to dramatize a rape and its repercussions, it also dares itself to be a satire, a high school comedy and a coming-of-age story in which victimization is turned into strength through insight.

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