Photo from the show Pink border doodle

Vampire spectacle is best new musical on Broadway

A review of The Lost Boys by Johnny Oleksinski | April 26, 2026

Directed by comeback kid Michael Arden, “The Lost Boys” is a serious and ambitious effort of spectacle and heartfelt adventure that doesn’t look or behave like any musical I have seen before. Without actually being immersive, the intoxicating 1980s arcade atmosphere washes over the audience sensorily, with a three-level crypt set by Dane Laffrey that uses the Palace’s extreme height to its winning advantage and lighting by Jen Schriever and Arden that’s so gorgeous it should be billed above the title. And the magical aerial stunts — used for everything from high-flying music solos to vampiric sneak attacks — would make Sandy Duncan green with envy. This show, in every aspect, goes breathtakingly gargantuan.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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