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Live, Die, Reprise

A review of The Lost Boys by Helen Shaw | April 26, 2026

When the musical version of “The Lost Boys,” written by David Hornsby and Chris Hoch, with score and lyrics by the Rescues, nails its combination of goofiness and grandeur… Still, the relationship with the film proves tricky. The anticipatory part of horror, it turns out, transfers nicely to the stage — Arden and his frequent collaborator, the set designer Dane Laffrey, are masters of atmosphere. But translating the thriller aspect is harder, and “The Lost Boys” loses its way as it tries, unwisely, to map itself onto the film’s action-packed second half.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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