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December 15, 2013

That familiar fantasy of spying on one’s own funeral has come spectacularly true for at least one of us mortals, the performance artist Marina Abramovic, whose work dates back to the 1970s and who has become a slavishly adored fixture on the art-celebrity circuit over the past decade. In “The Life and Death of Marina Abramovic,” a new music-theater piece being presented through Saturday in the Drill Hall of the Park Avenue Armory, Ms. Abramovic is lying plushly in state on a giant stage draped in black and lit by glowing white neon bars.

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