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June 1, 2011

Unlike its writer’s-blocked hero “Shakespeare’s Slave” suffers from a few too many ideas. The play, presented in repertory with an adaptation of “Henry IV, Parts I and 2” at the Harold Clurman Theater, is about a fictional romance between William Shakespeare and an African slave. Unfortunately it tries to cram in just about every literary theme imaginable: racism, sexism, grief, greed, revenge, ambition, infidelity, pearl-clutching hypocrisy. It also grafts the origins of several of Shakespeare’s masterworks — including “Hamlet,” “Othello,” the Henry IV plays and the “Dark Lady” sonnets — onto an already overloaded plot.

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