When Escape Is Just A Clique Away
Bioh, perfectly assisted by her sympatico director Whitney White and a no-weak-link cast, has done something quite amazing with this comedy-drama, opening tonight on Broadway at the Samuel J. Friedman Theatre in a first-rate Manhattan Theatre Club production. Bioh takes on the tropes and dramatic conventions of high school claustrophobia, its rebellions and savageries and tendernesses so familiar from ancestors like the franchise that gives this play its subtitle and right up through the newcomer that called John Proctor a villain, that we can only trust a writer of her depth and skills (she wrote Jaja’s African Hair Braiding, after all) to find a new path through the well-trod turf.
Keep Reading
Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
Read More
Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
Read More





