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‘The Bear’ Star Ayo Edebiri Serves Up Transfixing Broadway Debut In Mathematical Mystery Play

A review of Proof by Greg Evans | April 16, 2026

The cast assembled here is easily one of the best on Broadway right now. Edebiri was, frankly, the wild card, an intriguing bit of casting that nonetheless had folks wondering whether her thoughtful, interior-facing style that is so effective on television would translate onto a Broadway stage. It does. Her Catherine is less defined by the quirky, appealing eccentricities of Mary-Louise Parker’s performance in the original 2000 Broadway staging, but is girded by a certain angry resignation, fearful of what life might have in store, furious too, yet seething with a will to defy it all.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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