Ayo Edebiri and Don Cheadle Lead a Gripping but Oddly Paced Revival
“Proof” remains a scintillating play. Its questions about hereditary mental illness, the truth, and who can be labeled a genius — especially with a Black woman at the center — continue to resonate. Cheadle, Young, and Ha deliver effortless portrayals. They anchor the story in time and space with dynamic, heartfelt performances. Yet, because Edebiri simply doesn’t work as the lead, this revival doesn’t quite knock it out of the park.
Keep Reading
Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
Read More
Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
Read More