Don’t Overthink Paranormal Activity
One of the more surreal responses to that experience is applause, which ripples through the audience of Paranormal Activity a beat after all the major scares, like rain settling in after a peal of thunder. Left to your lonesome, you wouldn’t normally start clapping when a malicious entity jump-scares you, but it makes sense to do so among the crowd in a big Broadway theater for the sake of collective relief and release, to remind ourselves that we’re just watching people — and mirrors, ropes, and pulleys — play pretend.
Keep Reading
Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
Read More
Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
Read More





