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June 25, 2017

It’s hard to know what to do about “Measure for Measure,” the kind of play for which Shakespeare’s “problem plays” were named. It includes some of the finest moral argumentation in the canon: thrilling back-and-forths between well-matched antagonists with a great deal on the line. It also includes inane subplots, fake friars, punster tapsters and a tiresome denouement. That trade-off is never easy to negotiate, and the version of “Measure for Measure” that opened on Sunday at Theater for a New Audience, in a production by the British wunderkind director Simon Godwin, leans too heavily on the supposedly funny elements. Leaning on funny elements is almost always counterproductive.

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