Photo from the show Pink border doodle

Jonathan Groff’s Passion Fires Up the Bobby Darin Musical Just in Time

A review of Just in Time by Kenji Fujishima | April 26, 2025

Naturally, though, it’s Groff’s energy and charisma that anchor Just in Time. The brilliance of the show’s opening is that, by creating a staged-concert atmosphere from the start, it frees us from the need to compare him to Darin and instead foregrounds Groff’s own passion for telling his story. Groff even concludes the evening with an unexpectedly eloquent tribute to the evanescent yet transcendent power of theater. How rare it is for a jukebox bio-musical to feel like it comes genuinely from the heart.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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