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June 9, 2017

Hang on to your comb-over because the theatrical Trump storm is now approaching gale force.

Hartford Stage’s recent revival of George Bernard Shaw’s Heartbreak House dressed that play’s pathetic bully character in a bright yellow wig. Robert Schenkkan’s Building the Wall imagined President Trump’s presiding over a near-term dystopia of immigrant concentration camps. Opening soon is a shrewdly timed adaptation of George Orwell’s 1984 Michael Moore arrives later this summer blowing Broadway size-spitballs at the White House.

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