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In ‘John Proctor Is the Villain,’ It’s the Girls vs. the Men

A review of John Proctor is the Villain by Jesse Green | April 15, 2025

Taymor’s production is entirely sympathetic — to the characters and to the text. Though thrilling in its refusal to tamp down the show’s sometimes anarchic spirit, it does not ignore the dangers of abandon. Sink’s Shelby is beautifully positioned just at the spot where you can’t tell the difference between impulse and illness. The other girls stratify at in-between altitudes, from Scott’s firmly grounded Nell to Strazza’s high-pitched Beth.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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