Photo from the show Pink border doodle

Joe Turner’s Come and Gone has come again

A review of Joe Turner’s Come and Gone by Raven Snook | April 25, 2026

There are many wonderful exchanges as these seekers clash and sometimes connect. Even the small talk feels epic, and it all leads up to a searing climax that I recalled vividly from the last Broadway revival in 2009. It’s just as powerful in this production: a stunning depiction of reconciliation, reckoning and release that makes Joe Turner impossible to shake.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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