Cedric the Entertainer and Taraji P. Henson star in uneven revival
Almost without fail, the brilliance of August Wilson emerges even in mediocre stagings of his plays.
That is the unshakable feeling at the revival of his “Joe Turner’s Come and Gone” that opened Saturday night at the Barrymore Theatre. You’re never less than pleased you’ve come, and yet you’re constantly aware that something’s gone.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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