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November 1, 2010

"Wow. I talk a lot!" So says Ellen, the garrulous heroine of “In the Wake,” Lisa Kron’s equally garrulous new play, which opened Monday night at the Public Theater.

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November 1, 2010

You can’t accuse Lisa Kron’s new play at the Public Theater, "In the Wake," of lacking ambition. Set mostly during George W. Bush’s first term, it touches on conservative and liberal politics, love and desire, self-discovery, art, ambition and success, gay issues, racism, the US tax code and its influence on strip malls.

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Backstage
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David
Sheward

November 1, 2010

"Wow! I talk a lot," declares Ellen, the passionate protagonist of "In the Wake," Lisa Kron’s earnest but word-heavy political drama at the Public Theater. Despite some intense performances, smart direction from Leigh Silverman, and eloquently expressed ideas, the overabundance of talk is what chiefly emerges.

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November 2, 2010

A woman finds her personal life unraveling and her political beliefs challenged in Lisa Kron’s In the Wake, playing at the Public Theater. Set against the backdrop of the major news stories of the first half of the decade, the show has the potential to pack an intellectual and emotional wallop. Yet, despite a top-notch ensemble working under the sure-handed guidance of director Leigh Silverman, and a fair share of zesty dialogue, the play proves to be a strangely unmoving experience.

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Entertainment Weekly
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Melissa Rose
Bernardo

November 1, 2010

What’s the statute of limitations on hanging chad jokes and Florida recount rants? Coming in right around the 10-year mark, Lisa Kron’s meandering new drama In the Wake (now playing at Off Broadway’s Public Theater) is probably pushing it.

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