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New York Theatre Wire
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Charles
Isherwood

November 8, 2015

You may think you’ve seen just about every variation on the dysfunctional family play. Adultery? Check. Sexual abuse? Check. Drug addiction, incest, alcoholism. Check, check and — yawn — check. I’m here to tell you that unless you’ve seen “Hir,” the sensational — in all senses of the word — play by Taylor Mac, you cannot consider yourself an authority on this ever-enduring genre of American theater. Mr. Mac’s audacious and uproarious black comedy, which opened on Sunday at Playwrights Horizons in a crackling production, makes even the more extreme angst-amidst-the-chintz plays seem like demure drawing-room comedies of the 1950s.

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