An Incredibly Strong Ensemble With HERE THERE ARE BLUEBERRIES
Yet this strong ensemble of performers do generate a feeling of direct connection with the audience, close at times to intimacy. The most successful in this regard is the esteemable Kathleen Chalfant, a performer of rare grace who always feels like she is speaking directly to you. Michelle Beck is similarly strong, while Scott Barrow does careful work in multiple historical roles while steering clear of direct impersonation. Tony Award winner Michael Ceveris is also excellent, most especially as a descendant of Nazi officers struggling with his family inheritance.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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