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Jon Bernthal and Ebon Moss-Bachrach Make Dog Day Afternoon Bearable

A review of Dog Day Afternoon by Pete Hempstead | March 31, 2026

Guirgis and director Rupert Goold have certainly leaned hard into the funny aspects of the plot—too hard. Now, this ultimately tragic story of two desperate bunglers comes off as a sitcom with almost zero dramatic tension or suspense. Let’s not even talk about the send-them-out-the-door-smiling ending (a bane of modern plays) that made my eyes roll to the back of my head.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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