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May 3, 2004

Fantasies of life behind the scenes of Broadway musicals don’t usually include a director’s exclaiming in rehearsals to his leading lady: ”C’mon baby, give me weary. Sell those tired bones of yours.” But watching Tonya Pinkins’s performance in Tony Kushner and Jeanine Tesori’s ”Caroline, or Change,” which opened last night at the Eugene O’Neill Theater, you may find your mind wandering into just such speculation.

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