READ THE REVIEWS:

February 22, 2011

The ways in which politics can shape or shatter relationships and divide generations have informed a number of recent plays, among them Lisa Kron’s “In the Wake” and Amy Herzog’s “After the Revolution.” But in “A Perfect Future,” by David Hay, those considerations are just wallpaper.

READ THE REVIEW

February 18, 2011

Drop signifiers such as "Bertolucci" and "Volvo" into the opening salvo, as David Hay does in his new play A Perfect Future, now premiering at the Cherry Lane, and we know we have been placed squarely in the land of the limousine liberal.

READ THE REVIEW

February 21, 2011

If there’s one thing we can learn from "A Perfect Future," it’s that politics and heavy drinking don’t mix. Nor does it make for particularly interesting theater.

READ THE REVIEW
New York Press
BigThumbs_DOWN

Mark
Peikert

February 18, 2011

If, as I have often wished, I were Joan Didion, then I could dismiss A Perfect Future and its shallow, artificial liberal characters with one perfect, devastating sentence. Alas, I am not Joan Didion, and so I require this entire review to truly communicate how atrocious and false David Hay’s new black comedy is.

READ THE REVIEW

February 17, 2011

From T.S. Eliot to Tracy Letts, the Dinner Party from Hell has always been a reliable set-up for the kind of brittle, sophisticated dramedy that David Hay thinks he’s penned in "A Perfect Future." Scribe does, in fact, follow the classic formula by setting up a dinner party for three old friends who were political radicals in their flaming youth — and by tossing in one unexpected guest to shake them up. But the situation is so contrived that everything about these insufferably smug characters screams bogus-bogus-bogus and every word out of their mouths sounds phoney-phoney-phoney.

READ THE REVIEW