A Few Good Men Introduces Us to Aaron Sorkin Before He was a Brand
Like The West Wing, A Few Good Men airs its morality proudly, and there’s an innocence to its structure that could only come from a writer who was still figuring out how to tell stories. A thrilling production, the kind that leaves you hanging on every word, could mask the plot machinations you can guess five minutes before they occur. Arden’s customarily luxurious staging isn’t commanding enough to make that happen.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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