Billy Crystal Plays to His Base in 860
If Crystal and Ellis had stayed on that tack — tales about the house at 860 bound together by a sense of its loss — 860 might have the sturdiness of a tearjerker. Crystal’s inspirational messaging may not be profound — he makes much of discovering a rock with the word “laughter” on it in the ashes — but it has force. Still, he’s a little afraid to alienate an audience and face the brunt of this grief head on. Who can blame him? There are more fun things to talk about, like the beginnings of his career as a stand-up, his friendship with Muhammad Ali, making When Harry Met Sally…, how he got lucky with the Vietnam draft, and, and, and…
Keep Reading
Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
Read More
Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
Read More





