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THE LOST BOYS Is One Bloody Good Time

A review of The Lost Boys by Andrew Martini | April 26, 2026

The musical channels the 80s maximalism of the movie in Dane Laffrey’s elaborate, towering sets and Jen Schriever’s gorgeous, cinematic lighting design… Those elements, along with Markus Maurette’s special effects, could be considered worth the price of admission. Where this grand spectacle starts to unravel is in the music. The Rescues’ cliche-ridden lyrics fail to interestingly explore the emotions of the characters while only intermittently moving the plot along. There are a few standouts among a parade of songs I can’t remember.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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