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Small Lives, Writ Large

A review of Little Bear Ridge Road by Frank Scheck | October 30, 2025

Hunter is a master at creating these types of indelibly flawed characters, and his sensitive writing is beautifully complemented by Joe Mantello’s typically precise direction and the superb performances from the two leads. It’s no surprise that Metcalf proves outstanding in a role that plays to her strengths portraying acerbic, hard-edged types, but she invests her turn here with sly, mordant humor that fortunately alleviates the overall grimness. Stock, who proved his comic chops with his hilarious Tony-nominated performance in It’s Only a Play, is a revelation. His work here is on the broader side, his voice and mannerisms pitched to the extreme. But he boldly lays bare Ethan’s despair, especially in a moment toward the end in which he fully reveals a heartbreaking, childlike vulnerability.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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