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Where Tough Guys Do Dance: Punch

A review of Punch by Sara Holdren | September 29, 2025

It’s quite a story, though not necessarily the kind that makes for the most astonishing theater. That’s not to denigrate Punch, which is solidly built and well-meaning without sanctimony. Graham, Penford, and company have done just about all they can to build an engaging stage event, and if the play can’t avoid feeling a bit like an embodied pamphlet for restorative justice, then at least we’re all gathering to hear about something that this world inarguably needs.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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