‘Good Night, Oscar’ review — Sean Hayes delivers a virtuosic character study
But the second star is Jacqueline E. Lawton, the production’s dramaturg. Lawton (along with dramaturg Neena Arndt of the Goodman Theatre, where the play premiered last year) ensures that the show balances its dips into the fantastical with historical truths, a difficult tone deftly achieved in Lisa Peterson’s adroit production. If only Broadway would embrace the lobby display to immerse audiences even more in Oscar Levant’s world.
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