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Ben
Brantley

April 23, 2017

Just exactly how many kinds of stories are there, anyway? The tallies vary in “The Antipodes,” Annie Baker’s in-all-ways fabulous new play about professional fabulators in pursuit of the ultimate yarn. One character in this endlessly fascinating work, which opened on Sunday in a Signature Theater production, puts the number of variations at 10. Another insists it’s six. And still another has come up with 36 versions, though when he itemizes them, he only reaches 19. Whatever the quantity, it’s hard to imagine a work that touches on as many of those possibilities as “The Antipodes,” or makes as strong a case for the pervasiveness of storytelling in all aspects of our existence. What’s more, unlike her perpetually thwarted characters, who chase their ideas with the exasperation of dogs running after their tails, Ms. Baker delivers a complete and confident narrative. Now “complete” may not be the term you’d apply to a play as steeped in ambiguities as this one. “The Antipodes” portrays a never-ending brainstorming session for unspecified purposes in an unspecified place.

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