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July 7, 2014

Hip-hop music from the nearby baseball diamond wafts into Verona. A stray tabby and a cloud of fireflies crowd its lanes. At Romeo N Juliet, a free performance staged in an amphitheater at Marcus Garvey Park by the Classical Theater of Harlem, the distractions of an uptown summer evening compete with a centuries-old tragedy. At first, it seems as if the director, Justin Emeka, were going to integrate the vitality of the surrounding streets into Shakespeare’s poetry. The show opens with a rejiggered prologue, which announces: “Two families that are one and the same/Had a major beef going with their family names/It was in fair Verona where we’re setting the scene.” This Verona, it turns out, is a place of hoodies, high tops and soca music. Mr. Emeka’s update isn’t nearly as precisely envisioned as Baz Luhrmann’s film version, but it’s a good deal more lively and specific, at least initially, than the Orlando Bloom star vehicle that played on Broadway last season. Its early scenes have a keen energy, combining the verse with dance and promising a resonant interpretation. And why not? It’s not as if a tragedy lamenting gang violence and cheering teenage lust lacked relevance.

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