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November 4, 2016

During the more than four thrilling hours of Ivo van Hove’s “Kings of War,” an omnibus adaptation of five Shakespearean history plays at the Brooklyn Academy of Music, you may feel that those disturbing noises coming from the stage are just echoes of what you’re hearing in your own head these days. Sometimes there’s the amplified ticking of a clock, a bursting heartbeat, a mismatched thrum of tentacular chords or a brass fanfare sliding into sinister dissonance. In every case, though, the sound (dazzlingly realized in Eric Sleichim’s music) is that of a nation slowly cracking apart amid corruption, factionalism and political viciousness, as the oversize egos of would-be rulers collide with toxic trickle-down consequences.

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