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June 21, 2015

A history play, a biographical play, a documentary play and a courtroom satire, Amiri Baraka’s final work, “Most Dangerous Man in America (W. E. B. Du Bois),” by the New Federal Theater, is an unmusical grace note to Baraka’s vibrant, varied career. Baraka, who died last year, had apparently struggled with this drama about Du Bois, the great scholar and activist, for more than a decade, dwindling it down to less than a fifth of its original length. What remains is an admiring and affectionate portrait but a clumsy and inert play. The script mostly focuses on a period late in Du Bois’s life when the Department of Justice saw Red, investigating him and several colleagues in connection with their work for the Peace Information Center, an organization thought to have Communist sympathies. Bureaucratic oversights were used as an excuse to discredit and humiliate Du Bois, though he was eventually, and rightly, cleared of any wrongdoing.

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