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April 20, 2004

IN Regina Taylor’s ”Drowning Crow,” the desperate updating of Chekhov’s ”Seagull” that opened last night at the Biltmore Theater, scarcely a line goes by that doesn’t mention some famous person, brand name, song or show. Why, the production’s sulky hero, Constantine (also known as C-Trip and played by the handsome Anthony Mackie), is a walking, flaking, suicidal collage of tattered quotations and references.

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