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June 12, 2017

Tall tales are, by definition, unruly. But Kirsten Childs’s “Bella: An American Tall Tale,” a musical about the eventful travels of a wide-eyed beauty in the 1870s, sprawls in so many directions — with changes in tone to match (or mismatch) — that it collapses into inertia.

This comic picaresque, which opened on Monday night at Playwrights Horizons under the direction of Robert O’Hara, follows Bella (Ashley D. Kelley), who is celebrated in her hometown, Tupelo, Miss., for her shape. “All of her stacked proportions make a grown man scream/She cause your glasses to fog and steam,” goes a line in the opening number, “Big Booty Tupelo Gal.”

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