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November 17, 2008

Ssssssssst. That whooshing noise coming from the Belasco Theater is the sound of the air being let out of David Mamet’s dialogue. Robert Falls’s deflated revival of Mr. Mamet’s “American Buffalo" – which opened on Monday night with the mixed-nut ensemble of John Leguizamo, Cedric the Entertainer and Haley Joel Osment – evokes the woeful image of a souped-up sports car’s flat tire, built for speed but going nowhere..

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Usa Today
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April 22, 2014

Tenderness is not the first quality one generally associates with David Mamet. But really study his characters, and you’ll find that many are drawn with sympathy and even affection.

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Associated Press
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April 22, 2014

The four-letter words are intact but just about everything else is amiss in the slack, unsatisfying Broadway revival of David Mamet’s "American Buffalo.

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VARIETY BigThumbs_DOWN

April 22, 2014

When "American Buffalo" is done right, the profane poetry of David Mamet’s dialogue can be bracing and the sad desperation of its three minor-league crooks — playing at being players — has a poignant sting. But in the three decades since the play was first seen, the influence of its speech patterns has become increasingly pervasive in films, cable TV and imitative theater, while humanized hoodlums have turned up everywhere. Maybe that’s why this starry revival sits so flatly on its impressive set. Or maybe it’s the lack of a connective thread among its performers. Either way, something isn’t working.

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AM NEW YORK BigThumbs_DOWN

April 22, 2014

Now comes “American Buffalo,” Mamet’s first full-length comic drama, which focuses on three petty criminals who plot to steal a rare Buffalo Nickel. Ironically, the characters view themselves as hard-working businessmen instead of hustlers.

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