Photo from the show Pink border doodle

Jeremy Jordan Gives Life To Dark Tale Unearthed From History

A review of Floyd Collins by Greg Evans | April 21, 2025

With Guettel’s often sublime score and lyrics that get at the terror, cynicism and, most of all, undying hope against hope well captured in Landau’s book, Floyd Collins might haunt some of those who see it now just as surely as it haunted so many back in ’96. Notice, though, that I don’t say it will haunt everyone who sees it, and that’s simply because this musical is not without flaws, notably an overlong, repetitious book that can challenge patience, and a staging that scatters characters near and far on the massive Beaumont space.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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